handmade italian pasta bowl 25 cm cappello di prete 3
SKU: 83680655632

handmade italian pasta bowl 25 cm cappello di prete 3

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Description

handmade italian pasta bowl 25 cm cappello di prete 3Cappello di Prete Schale 23 cm Unikat weltweit nur einmal verfgbar. Die besondere Cappello di Prete Form auf Deutsch Priesterhut ist inspiriert von dem traditionellen dreieckigen Hut, der frher von Geistlichen getragen wurde. Der sanft erhhte, skulpturale Rand verleiht der Schale eine elegante Silhouette und verbindet Funktionalitt mit auergewhnlichem Design. Die Form eignet sich perfekt fr Pasta, Salate, Suppen, Risotto oder kleine Vorspeisen. Durch

Cappello di Prete Schale – 23 cm

Unikat – weltweit nur einmal verfügbar.

Die besondere Cappello di Prete Form – auf Deutsch „Priesterhut“ – ist inspiriert von dem traditionellen dreieckigen Hut, der früher von Geistlichen getragen wurde. Der sanft erhöhte, skulpturale Rand verleiht der Schale eine elegante Silhouette und verbindet Funktionalität mit außergewöhnlichem Design.

Die Form eignet sich perfekt für Pasta, Salate, Suppen, Risotto oder kleine Vorspeisen. Durch den breiten Rand lassen sich Gerichte besonders stilvoll anrichten.

Jedes Stück unserer Kollektion ist ein echtes Unikat. Gefertigt in einer traditionellen Keramikwerkstatt in Apulien in Süditalien wird jede Schale von Hand auf der Töpferscheibe geformt, glasiert und von unserem Keramikkünstler von Hand bemalt. Kein Stück gleicht dem anderen.

Für unsere Keramik verwenden wir hochwertigen Ton aus einem kleinen Dorf in der Toskana. Nach dem Formen trocknet jedes Stück mehrere Tage unter der italienischen Sonne, bevor es in den Ofen kommt.

Die Schale durchläuft anschließend einen aufwendigen mehrstufigen Brennprozess. Zunächst wird sie 36 Stunden bei über 1000°C gebrannt, danach wird die Grundglasur von Hand aufgetragen und das Stück erneut für 36 Stunden gebrannt. Anschließend wird das Muster von Hand bemalt und die Schale ein drittes Mal gebrannt. Diese traditionellen Verfahren verleihen STUDiO RiViERA Keramik ihre besondere Robustheit, intensive Farbbrillanz und Langlebigkeit.

Die verschiedenen Muster lassen sich wunderbar miteinander kombinieren und ermöglichen es dir, deinen ganz persönlichen STUDiO RiViERA Signature Table zusammenzustellen.

Neben ihrer Funktion als Geschirr ist diese Schale auch ein dekoratives Keramikobjekt, das mediterranes Lebensgefühl und italienische Handwerkskunst in dein Zuhause bringt.

  • Gesamtdurchmesser: 25,5 cm

  • Breiter Außenrand: 5,5 cm

  • Durchmesser der Servierfläche: 14,5 cm

  • Höhe: 6,5 cm
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SKU: 83680655632

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4.8 ★★★★★
Based on 726 reviews
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Product Reviews
J
Verified Purchase
John Moore
Houston, US
★★★★★ 5
Guided tour through a difficult work
Format: Paperback
For the non-expert reader of Plato, this is a very good text for working through Timaeus. Actually, it may be useful to expert readers as well, but I wouldn't know about that, being firmly situated in the non-expert camp. Though some scholars may take exception to certain parts of Cornford's translation and interpretation, for those of us trying to get through it for the first time and on our own, this is still an exceptional guide. By the way, for an alternative translation and interpretation, the reader may want to check out Kalkavage's translation (Focus Philosophical Library), it is very good (I would rate it 5 stars also) and has some extremely helpful appendices for understanding references to music, astronomy, and geometry.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 6, 2013
R
Verified Purchase
Reviewer from San Ramon
Pawtucket, US
★★★★★ 5
Cornford's Plato Cosmology/Timaeus
Format: Paperback
This is an excellent and invaluable reference book for Plato's Timaeus. If you are reading Timaeus you MUST have this book. It contains line-by-line commentary, and also, most valuable, some very helpful illustrations (example: illustration of the human body as Timaeus explained it). I would, however, balance this book with other books that attempt to place Timaeus within the rest of Plato's works. I recommend, for example, Peter Kalkavage's Timaeus. There, he attempts to link Timaeus and Republic.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 8, 2011
W
Verified Purchase
Wilbur F. Pierce
Draper, US
★★★★★ 5
An Excellent Choice
Format: Paperback
Excellent introduction, notes and translation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 8, 2017
D
Verified Purchase
David Lemberg
Pawtucket, US
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2015
J
Jordan Bell
Los Angeles, US
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans' , and then read Waterfield's translation of the Timaeus . Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with. The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2015

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