Onkyo M-80 Power Amplifier (Icon Series)
SKU: 41389279812

Onkyo M-80 Power Amplifier (Icon Series)

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Description

Onkyo M-80 Power Amplifier (Icon Series)Onkyo M 80 Power Amplifier (Icon Series) at Vinyl Sound Toronto Canada The M 80 is a two channel Class AB power amplifier from Onkyo's Icon Series (Osaka, Japan), available at Vinyl Sound in Toronto, Canada. Engineered as the dedicated power stage for Onkyo's return to high fidelity separates, it is rated at 130 W per channel (8 ohms, 20 Hz to 20 kHz, 0. 07% THD, 2 ch driven) and 200 W per channel (4 ohms, 1 kHz, 0. 7% THD, 2 ch driven) through a

Onkyo M-80 Power Amplifier (Icon Series) at Vinyl Sound Toronto Canada

The M-80 is a two-channel Class AB power amplifier from Onkyo's Icon Series (Osaka, Japan), available at Vinyl Sound in Toronto, Canada. Engineered as the dedicated power stage for Onkyo's return to high-fidelity separates, it is rated at 130 W per channel (8 ohms, 20 Hz to 20 kHz, 0.07% THD, 2-ch driven) and 200 W per channel (4 ohms, 1 kHz, 0.7% THD, 2-ch driven) through a three-stage Inverted Darlington amplifier topology with parallel output stage transistors. The driver stage incorporates Onkyo's patented DIDRC (Dynamic Intermodulation Distortion Reduction Circuitry) with a High Slew Rate Design to suppress ultra-high-frequency noise. A custom high-current toroidal transformer, 10,000 µF capacitors custom-made exclusively for Onkyo, copper bus bars, and hi-fi grade input and output terminals underpin the power supply and signal path. Both balanced XLR and unbalanced RCA inputs are provided, alongside A/B speaker switching, illuminated analogue VU meters, and a 12V trigger input for coordinated system power control. The Onkyo Icon Series received the HomeTheaterReview Best of CES Award 2025.

Three-Stage Inverted Darlington Amplifier and DIDRC

The M-80's amplification circuit is built around a three-stage Inverted Darlington output stage, a layered transistor design where a driver transistor and a power transistor are coupled with feedback and fed by an additional gain stage. This configuration produces a very low output impedance, enabling the amplifier to control speaker voice coils with authority and deliver instantaneous current on demand. The output stage transistors operate in parallel rather than in series, further multiplying the instantaneous current supply capability and enhancing the rise time of transients, which translates directly into a faster, more energetic attack and a greater sense of dynamic power at any listening level. Negative feedback is kept deliberately low throughout the circuit, which means the amplifier is not affected by back-EMF noise generated by the speaker, preserving resolution and transparency that high-feedback designs can mask. The driver stage integrates DIDRC with a High Slew Rate Design, actively suppressing beat-generated noise in the ultra-high frequency band before it can enter the output transistors, allowing the natural character of analogue and digital sources to pass through without added grain or hardness.

Power Supply, Chassis Construction, and Vibration Control

A custom high-current toroidal transformer forms the foundation of the M-80's power supply, chosen for its low magnetic leakage, minimal vibration, and efficient energy transfer to the output stage under dynamic load. The transformer feeds 10,000 µF filter capacitors custom-manufactured exclusively for Onkyo, providing a reservoir of energy for the large instantaneous current demands of low-impedance speaker loads and loud musical peaks. Copper bus bars distribute power from the capacitors to the output stage with minimal resistance, reducing voltage sag during peaks and maintaining grip on the speaker load. An extruded aluminium heatsink manages thermal dissipation passively without a cooling fan, eliminating mechanical noise entirely. The three-piece housing of two aluminium side panels and a steel top panel, combined with an oval-pressed base design and a 5 mm aluminium front panel, increases chassis rigidity and suppresses resonance from entering the circuitry through structural vibration. Hi-fi grade speaker output terminals and audio input terminals complete the signal chain with low-resistance, corrosion-resistant contacts.

Connectivity, VU Meters, and System Integration

The M-80 accepts both balanced XLR and unbalanced RCA analogue inputs simultaneously, allowing it to be paired with any preamplifier regardless of output topology. A 12V trigger input enables coordinated power-on and power-off with a compatible preamplifier such as the Onkyo P-80, eliminating the need to manually switch both components. Front-panel illuminated analogue VU meters with switchable x1 and x10 range provide a visual indication of output level, adding both operational feedback and a visual link to Onkyo's classical hi-fi heritage. A/B speaker output switching supports two pairs of loudspeakers, enabling selection between two listening positions or simultaneous multi-room playback. The M-80 is the natural power amplifier partner for the Onkyo P-80 Network Preamplifier, and Onkyo specifically references the P-80 and M-80 paired with Klipsch Forte speakers as an exemplary system combination for dynamic, extended sound.

Key Features

  • Three-Stage Inverted Darlington Output Stage: Layered transistor topology with parallel output transistors for very low output impedance, high instantaneous current delivery, fast transient rise time, and authoritative speaker control at any load.
  • DIDRC with High Slew Rate Design (Driver Stage): Patented Dynamic Intermodulation Distortion Reduction Circuitry applied in the driver stage to suppress ultra-high-frequency beat noise before it reaches the output transistors.
  • Symmetrical Class AB Topology: Low negative feedback design preserves resolution and rejects back-EMF noise from the speaker for a highly resolving and natural-sounding presentation.
  • Custom High-Current Toroidal Transformer: Low-leakage, low-vibration toroidal power transformer providing stable, high-current energy delivery under demanding dynamic loads.
  • Onkyo-Exclusive 10,000 µF Capacitors: Custom-made filter capacitors with large energy reserves for instantaneous current supply during loud musical transients and low-impedance loads.
  • Copper Bus Bars: Low-resistance power distribution from the capacitor bank to the output stage, reducing voltage sag and maintaining speaker grip at peak output.
  • Balanced XLR and Unbalanced RCA Inputs: Both input types accepted simultaneously for compatibility with any preamplifier or streaming source with balanced or unbalanced outputs.
  • A/B Speaker Switching: Front-panel A and B speaker output selection for two pairs of speakers, enabling multiple listening positions or simultaneous multi-room playback.
  • Illuminated Analogue VU Meters: Backlit glass VU meters with x1 and x10 range switching for visual output level monitoring and a nod to Onkyo's classic hi-fi aesthetic.
  • 12V Trigger Input: 3.5 mm trigger input for coordinated power-on with a compatible preamplifier or control system.
  • Fan-Less Chassis with Three-Piece Vibration-Suppression Construction: Aluminium side panels, steel top panel, oval-pressed base, extruded aluminium heatsink, and 5 mm aluminium front panel suppress vibration and eliminate mechanical noise.
  • Hi-Fi Grade Terminals: High-quality gold-plated speaker output and audio input terminals for low-resistance, corrosion-resistant signal and power transfer.

Technical Specifications

Type 2-Channel Class AB Power Amplifier
Series Icon Series
Amplifier Topology Symmetrical Class AB; 3-stage Inverted Darlington output; parallel output transistors
Power Output 130 W/ch (8 ohms, 20 Hz-20 kHz, 0.07% THD, 2-ch driven); 200 W/ch (4 ohms, 1 kHz, 0.7% THD, 2-ch driven)
Frequency Response 5 Hz to 100 kHz (+1 / -3 dB)
Speaker Impedance 4 to 16 ohms
Distortion Reduction DIDRC (Dynamic Intermodulation Distortion Reduction Circuitry) with High Slew Rate Design, driver stage
Power Supply Custom high-current toroidal transformer; 10,000 µF exclusive Onkyo capacitors; copper bus bars
Analogue Inputs 1 x RCA (Unbalanced); 1 x XLR (Balanced)
Speaker Outputs A/B switching (two pairs); hi-fi grade binding posts
12V Trigger Input 3.5 mm (1/8 inch) jack
VU Meters Illuminated analogue VU meters with x1 / x10 range switching
Chassis Fan-less; aluminium side panels; steel top panel; oval vibration-suppression base; 5 mm aluminium front panel; extruded aluminium heatsink
Dimensions (W x H x D) 435 x 135 x 345 mm / 17.1 x 5.3 x 13.6 in
Net Weight 13.5 kg / 29.8 lbs
Power Consumption 445 W (operating), 51 W (idle), less than 0.3 W (standby)
UPC 889951003984

Connections at a Glance

  • 1 x RCA analogue input (unbalanced)
  • 1 x XLR analogue input (balanced)
  • Speaker outputs A and B (hi-fi grade binding posts)
  • 1 x 3.5 mm 12V trigger input

Awards and Critical Recognition

  • HomeTheaterReview Best of CES Award 2025 (HomeTheaterReview, as part of the Onkyo Icon Series)

Frequently Asked Questions

What is the Onkyo M-80?

The Onkyo M-80 is a two-channel Class AB power amplifier from the Icon Series, rated at 130 W per channel (8 ohms, FTC) and 200 W per channel (4 ohms). It uses a three-stage Inverted Darlington output stage with parallel output transistors, DIDRC in the driver stage, a custom high-current toroidal transformer, Onkyo-exclusive 10,000 µF capacitors, copper bus bars, balanced XLR and unbalanced RCA inputs, A/B speaker switching, and illuminated analogue VU meters. It is available at Vinyl Sound in Toronto, Canada.

How does the Onkyo M-80 compare to the Cambridge Audio CXA81 or NAD C 298?

The M-80 differentiates itself from the Cambridge Audio CXA81 and NAD C 298 primarily through its three-stage Inverted Darlington output topology, which delivers a lower output impedance and higher instantaneous current than the conventional output stages used in the CXA81 and C 298. The DIDRC driver stage has no direct equivalent in either competitor. The M-80's custom toroidal transformer and Onkyo-exclusive 10,000 µF capacitors give it a larger power reservoir than the NAD C 298's Eigentakt Class D platform, which prioritises efficiency over the high-current headroom that demanding low-impedance speaker loads require. The illuminated VU meters with x1/x10 range switching and simultaneous XLR/RCA input acceptance are also practical differentiators at this tier.

What is the Inverted Darlington amplifier topology and why does it matter?

A Darlington transistor pair connects two transistors so that the current amplified by the first drives the base of the second, multiplying the overall current gain. The Inverted Darlington, as used in the M-80, reverses the conventional polarity of this arrangement, which reduces the number of transistor junctions in the signal path and lowers the output impedance of the stage significantly. The M-80 adds a third transistor gain stage, further increasing control over the output transistors. Parallel output transistors then multiply the instantaneous current capability of the completed stage. The net result is an output that grips the speaker voice coil tightly at all frequencies, producing faster transient attack, better bass definition, and greater dynamic composure than amplifiers with higher output impedance.

Can the Onkyo M-80 be paired with the Onkyo P-80 Network Preamplifier?

Yes, the M-80 is designed as the natural power amplifier partner for the Onkyo P-80 Network Preamplifier. The P-80 provides both balanced XLR and unbalanced RCA pre-amplifier outputs that connect directly to the M-80's corresponding inputs. The P-80's 12V trigger output connects to the M-80's 12V trigger input for coordinated power-on and power-off from a single control point. Onkyo specifically cites this P-80 and M-80 pairing with Klipsch Forte speakers as a reference system combination for dynamic, extended two-channel sound.

Does the M-80 support two pairs of speakers?

Yes, the M-80 has front-panel A/B speaker output switching that supports two pairs of loudspeakers. Either pair can be selected independently or both can be driven simultaneously, making it practical for switching between listening rooms or for multi-room playback from a single amplifier. Speaker impedance compatibility covers 4 to 16 ohms for each pair.

Where can I buy the Onkyo M-80 in Toronto or Canada?

The Onkyo M-80 Power Amplifier is available at Vinyl Sound, an authorised Onkyo dealer in Toronto, Canada. Vinyl Sound carries the complete Onkyo Icon Series lineup including the P-80 Network Preamplifier and A-50 Network Integrated Amplifier, and can advise on pairing the M-80 with the right preamplifier and speakers for a complete high-fidelity two-channel system.

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SKU: 41389279812

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4.7 ★★★★★
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Kendal Brian Hunter
Port Orchard, US
★★★★★ 5
Wicked Satire, yet Strangely Familiar
Format: Mass Market Paperback
Heinlein's satire is wicked and well-placed, reminiscent of Voltaire and Swift. IF you love British comedy, you'll love this book. Both come from the same sarcastic taproot. I'm still debating whether or not the main charter is Smith or Jubal. Maybe it is us, since we need to recognize that we are Juba, and must nurture, and eventually become like Smith. Smith's reflective, contemplative message, reminds of Thomas A Kempis ( ), James Allen ( ), Lao Tzu ( ). Smith's message is nothing new: as C. S. Lewis pointed out, "Really great moral teachers never do introduce new moralities: it is quacks and cranks who do that... The real job of every moral teacher is to keep on bringing us back, time after time, to the old simple principles which we are all so anxious not to see." . In fact, Smith's slogan "Thou art God" is merely run-of-the-mill Christianity: * "Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me." * "Be ye therefore perfect, even as your Father which is in heaven is perfect." * "Therefore, what manner of men ought ye to be? Verily I say unto you, even as I am." * "Ye are gods; and all of you are children of the most High." * "God became man so that man might be god." * "It is a serious thing to live in a society of possible gods and goddesses to remember that the dullest and most uninteresting person you may talk to may one day be a creature which, if you saw it now, you would be strongly tempted to worship, or else a horror and corruption such as you now meet if at all only in a nightmare. . . . There are no ordinary people. You have never met a mere mortal, Nations, cultures, arts, civilizations, these are mortal, and their life is to ours as the life of a gnat. But it is immortals whom we joke with, work with, marry, snub, and exploit--immortal horrors or ever lasting splendours." . Heinlein seems to have stolen a page from Søren Kierkegaard, who tried to re-Christianize Christianity ( , 458). To paraphrase John, "Brethren, I write no new commandment unto you, but an old commandment which ye had from the beginning." As I read this book, Smith struck me as oddly familiar. His first name, Michael, refers to the Archangel, the captain of the Lord's army. The second name, Valentine, is the patron saint of all shades of love, phileo, agape, eros, and romance. The last name, Smith, makes him Everyman. But I wonder if there is something more. What happens to Smith is common to all founders of religions--Abraham, Jesus, Mohammed, and so forth. There is evolution, turns and twists of fate, and eventual triumph. However, there is a deeper nuance. Society begins with vulgarized Christianity, then there was the Fosterite Revolution, and another apostasy and commercialization of religion as a Megachurch. And lastly comes along Smith, with his Martian philosophy. This bears a strong parallel to the life of Joseph Smith . In fact, both have a similar martyrdom: "Thou art God" versus "O Lord My God." The satire can get tedious at time, but I think this flaw is excusable. As I read, I kept thinking that this book could loose about 1/3rd of the text. But on the other hand, the artistry and beauty of the wicked satire forces me to say, "Leave it alone." Note: This book is the Q document for so much other fiction. I see shades of "Dune" here and there. Smith the new prophet is akin to Ender, the Speaker for the Dead. And if you have seen Star Trek: The Original Series episode "Charlie X," some of the elements will seem a bit too familiar. Keep in mind that this book came first, and that it does a much better job of mixing wit and wisdom than Kirk and Spock. There is no comparison--after reading this book, "Charlie X" rolls like a flat tire.
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Reviewed in the United States on July 9, 2007
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P. Biealczyc
Pawtucket, US
★★★★★ 5
Really nice
Format: Paperback
Great read and gift
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Reviewed in the United States on May 31, 2026
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Kindra Foster
Carnegie, US
★★★★★ 4
Classic, but a bit disappointed
I’ve always wanted to read this book. Heard a lot about it and it’s importance in the science fiction genre. But I didn’t care for Heinlein’s style of writing. There was a lot of subtle humor in it that was enjoyable, and I suspect he meant for it to be a caricature of humanity. I enjoyed the analysis of human nature throughout the story. But I was disappointed in the direction the story took toward the end. It seemed like a cheap way to develop the possibilities that had been laid out in the rest of the book. I want to believe human beings would value the opportunity and show up in a better way if such a thing really happened. I felt like the main character was so rich and unique in the beginning, but in the end, he felt flat and inscrutable. Having said all of that, maybe if I hadn’t been swayed by my own expectations, I would have enjoyed the story more. I’ll have to try some of his other books and see what I think!
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Reviewed in the United States on May 28, 2024
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Craig in NE CT
Omaha, US
★★★★★ 5
Great story!
Format: Mass Market Paperback
I read this book as a teenager, in the 1960s, and just, now, finished rereading it, at age 65. I see that I missed many of the author's ideas (due to my youthful lusts, antics, and ignorance of life and of the Bible). "Stranger in a Strange Land" struggles with boundaries of self, morality, and what may constitute/govern a normal healthy society. The author pokes at our spiritual needs, ideas, or rituals upon which we all depend to order our lives, whether we be atheistic, pantheistic, or monotheistic. By minimizing God and godhood to the level of individual understanding and growth, the Heinlein's story posits that all philosophical views need not be antagonistic toward one another; that, by default, truth is and should be relative, given our potentially reformed natural self-interests. Whether a `religious' or irreligious person or organization is primitive, civilized, or `who-cares', Heinlein poses that, despite our ideologies that distinguish us from others, or unite us, only a growing constructive self-awareness is really important, not whether God really exists or whether we will face a final judgment. The author's trick to redemption is how we decide to get along with ourselves and our neighbors, within a `fly right, or mess up and go back to the beginning' scenario, in contrast to the biblical one-life-one-chance view. By design or default, in this story, Heinlein relegates God below human self-actualization, and allows no room for absolute truth. Heinlein's self-fulfilling self-actualization is entirely at odds with biblical Christianity and biblical Judaism, yet quite at home with most religions and faiths that rely on salvation by personal works, and reincarnation-based religions. Maybe that was part of the author's point in telling the story. When it comes to putting a halt to abusive powers, I have to chuckle at how Heinlein has Smith frustrate the overbearing powers-that-be. A thought struck me about twenty years ago that those who have power or understanding have a God-given responsibility to exercise discipline and restraint with those who lack power or understanding. Having more power or understanding than someone or something else does not obviate one's responsibility to exercise that power or understanding to better the world in which we live, nor does it entitle one to do ought but to treat others with love, respect, and decency, which, for the betterment of society and our world, may require that one's power or understanding be exercised to identify or destroy evil. Though this philosophy is exercised by the lead character within the story, the clarity of this comes late to Valentine Michael Smith, yet, sadly, such clarity does not move him to embrace an absolute God, absolute truth, nor his own existence as a created being that is not God, leaving Heinlein's view of life and after-life harshly in contrast to the biblical viewpoint, hence at odds with God. Martian or human, in the end, Heinlein simply does a shell game with his characters, when the issue of death arises, leaving readers to guess in what level the author will eventually hide them, to avoid a final judgment, leaving each soul's story to continue ad infinitum, ad nauseam, without any ultimate accountability. This is an entertaining science fiction story, yet, Heinlein's ideas, in this sexual-religious-social romp, border on theological sophistry. His ideas will probably offend most established points of view. Despite his general bravado, and so bold a topic, Heinlein omits balanced discussion among the characters, fails to deal with any absolute truth or true final judgment of evil, and perfunctorily dismisses biblical views that might be germane to cogent biblical discussion. There are two upwelling truths that the author has twisted and cheapened them considerably, by his denial of absolute truth and avoiding our accountability to God's perfect righteousness. Those are self-sacrificing love and the inevitability that every soul is responsible for her/his own thoughts and actions. Though he allows watered down versions of those traditional moral elements to remain, Heinlein (who must have seen too many money-hungry medicine shows, tent meetings, and carnival acts) relies solely on human constructive self-awareness, self-discipline, and self-empowerment to pose a stab at a positive future for humanity and the afterlife. The story's quasi-moral might read, "Find any way to beat the present system and exploit it at almost any cost, so long as no one really gets hurt." Smith's earthly end-game of self-sacrifice is a corrupted shadow of Christ's. Smith's is a twisted image of self-sacrifice, a huckster's trick to work the crowd, avoiding entirely the biblical God and plan of Christ. Heinlein's bootstrap theology, in the end, can neither respect nor agree upon one God, nor save itself from its own moral meanderings and wishful unthinking of human sin. As an author, myself, I would add that every one of our actions, gestures, and our written or spoken utterances, has its consequences, and that we are ultimately responsible, to God, for everything that we generate and utter. I believe that Heinlein's story agrees partly with my belief, except that Heinlein leaves the one true God completely out of his story. Despite Heinlein's philosophical thrust that everyone can claim "Thou art God", for self or others, I personally subscribe to the biblical view that all things and people are created by God, and that He holds us together by His Laws and will, and that there is, yet, a separation that He reserves between us and Him, that can only be bridged or reconciled through His Christ, and, furthermore, that we are the only part of His Creation that has been offered that exclusive plan of redemption. By contrast, Heinlein's story offers the carrot of constructive self-awareness as the means of possible redemption for humanity, insecurely hoping to save us from ourselves. Craig M. Szwed (Author, photographer, combat veteran, father, composer)
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Reviewed in the United States on May 18, 2013
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M. Estopinal
Boise, US
★★★★★ 5
A True Arthurian Legend
Format: Mass Market Paperback
The Once and Future King provides an excellent perspective into the world of Arthur, the King of England. This book is divided into four sections, each dealing with the different aspects of Arthur's life, including both the good and the bad. The first book, the Sword and the Stone, has been immortalized by countless movies, such as the one by Disney. This book deals with the upbringing of Arthur, or in this case, Wart, his childhood nickname. Here we see the trials Wart must face as he learns about the many forms of leadership, courtesy of his mentor, Merlyn. The second book, the Queen of Air and Darkness, is a prelude to the collapse of Arthur's kingdom. The result of this book begins to brew throughout the entire novel, finally impacting at the end of the final book. The third book, the Ill-Made Knight, is my personal favorite. This book is about Lancelot's personal quest to become the best knight in the world. This book is filled with exciting quests that Lancelot has taken up, including such things as saving a maiden from a boiling pot of water, as well as the ill-fated quest to find the Holy Grail. The fourth and final book, the Candle in the Wind, deals with the collapse of Arthur's kingdom. Arthur's sins "come home to roost" in this book, forcing him to make decisions that could jeopardize the safety of his wife, Guenever, and his best friend, Lancelot. This novel is truly one of the classic fantasy books that one reads and never forgets. Although there are many portrayals of the Arthurian legend, this is without a doubt one of the better ones.
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Reviewed in the United States on September 6, 2004

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